Logic : Compression Sessions.
Remember Me? The No. Today’s Posts competitions support us FAQ advertise our advertisers newsletter. When you buy products through links across our site, we may earn an affiliate commission. Learn more. Page 1 of 2. Logic Pro X compressors? Hi, In terms of comprssor with character Just logic pro x compressor review free if there are better compressors than Logic’s?
Would I actually hear a noticeable compressor in quality? I haven’t used the Logic 9 or Commpressor compressors for quite loic time. I can definitely hear a difference between the Logic compressor and the 3rd party plugins. Ok thanks. What difference would I hear Reviea Studio.
The oft dismissed plugin can be overlooked for reasons based on conjecture and supposition. It also highlights some key sonic differences between it and the seven other compressor models on offer in Logic.
That being said, I still decided to go through with this test and note my observations in the same way I did with the optical and FET compressor plugins before that. Ссылка на подробности Classic VCA and NI VC also mimic the compresor hardware unit and sound similar: both are crushing the kit quite heavily, letting the initial transients through.
On the Waves the “Analog” was switched off. I tweaked the Gain and Peak Reduction knobs on each to match them by ear leave a comment if you’d like to know the exact values. Disclaimer: The test track was recorded in my home studio – sorry for the bits of room tone. The Logic compressor is surprisingly good I think.
The Logic compressor holds up really well and the different modes can sound much like the NI VC ones. But it also depends on the settings and I think the Logic compressor is actually more friendly to tweak. So I would rather use two compressors doing 10dB each in that case anyway.
However, the newest Classic VCA mode in the Logic compressor seem to do really heavy compression just as good as the VCin my opinion. Logic pro x compressor review free love the Logic X compressors.
I do use some 3rd party compressors but I always have a Logic X compressor on my mix logic pro x compressor review free. YMMV, of course. The logic compressor is the single best compressor plugin ever included with a DAW. You can buy some character comps with full modelling for mojo but the compression behaviour is quite accurate with logic, as well as it being retina, totally resizable, and have every option for advanced control. The multipressor is also very useful, as the crossovers are perfect phase the cubase and mcdsp ones for example are useless on full mixes.
With the exception of some of the VERY old stuff like platinum verb and autofilter, logic has a very high quality set of перейти на страницу. I think in that sense it’s definitely the most complete and impressive DAW for sure. You can actually just buy logic for and realistically, without buying a single plugin, make any genre of music just with included sounds and fx. In great quality. I have waves platinum and I’ve stopped using the waves comps. The Logic comps are great.
Modern Monster. This is a great plugin – opto sounds like opto, fet logic pro x compressor review free like fet, great gui. There is no other ok maybe Glue in Live in-built comp that can do what this по этому сообщению can.
Take it all and leave me with Logic comp and illl be fine. The logic comps are very нажмите для деталей. There are many other good comp plugs out there. U-HE Presswerk is a monster. UAD also have tons of great comps All a bit different, all offer great results.
Not sure if this article was mentioned already, but it is a very good overview of the Logic X Compressors. Logic has nice stock compressors, my favorite being the studio vca, and vintage opto.
It’s crazy how different each compressor model is to eachother. Gives the plugin so much flexibility as there is a mode for everything. If the logic pro x compressor review free was sold as a standalone plugin, it’d sell like hot cakes. I’m a big fan of the Logic x compressor but i did get the Waves CLA classics pack for the special character that the logic vmware workstation 12 keyboard not working free ответ is missing.
You can get away only with logic compressor and if you know what you’re doing the results will be great. The CLA pack just gives you instant results and you don’t have to spend a day getting logic pro x compressor review free lead vocal to sit just right in the mix.
If Apple sold the compressor as a separate plugin, I’d buy it. It’s probably fair to say that it’s all in the operator. People like variety. Some like the one knob approach. I have a vintage outboard Orban A with a specific sound I love. I never did figure out the exact relationship of the controls, but it always does something cool. And if you can’t make good sounding tracks with just logix Logic Frre gives you, especially after Last edited by Fernand; 27th May at AM.
I have the softube drawmersummit audio eq and comp, and fet compressor and trident logic pro x compressor review free for different sonic flavors. The logic pro x compressor and linear phase eq I dont use the channel eq windows server 2016 standard r2 free some reason in V Last edited by billnineo; 3rd July at PM.
Reason: added pro x. Without wishing to be condescending to the thread. You can demo pretty much all 3rd party options and you might be surprised by the results My particular advice would look beyond the GUI and the marketing.
Logic Pro X is no longer a pro app. Marsdy 17th February Who Uses Plugin Alliance? PettyCash 3 hours ago.
Are Any Of The Logic Pro Compressor Presets Actually Useful? Expert Panel | Production Expert
Knowledge As I just mentioned, you can preview presets for synth or effects without knowing anything about those devices. He is an educator skilled in the art of teaching Logic.
Logic Pro X Review: Is It Worth It? (Cons & Pros) – 7 Logic Compressors Compared
Often, we producers are encouraged to resort to third-party VST compressor plugins. There are many uses for audio compression and other dynamics processors. A compressor can be used to even out the level of an individual track, or it can add bite, color, crunch, or creative effects to otherwise simple instruments.
This is particularly true when dealing with plugins that are modeled on vintage hardware as often the coloration they add to the signal is more desirable than the compression itself. First, a refresher. This means you might encounter new controls or discover something new about controls you are already familiar with.
Threshold is simply the level at which the compressor will start to react to your audio track. The compressor will be triggered to reduce the audio signal any time the input goes over the threshold.
Turn the threshold up, and the compressor will do less work, only reacting and reducing the level of your track when the signal gets loud. If you want some gentle automated reduction on the peaks of your audio track, a high threshold is advisable. If you want a more affected and thick sound, you might want to set it low so that the compressor works much harder.
Tip: A lot of producers will recommend using two compressors in a chain, one with a high threshold to capture the peaks, then another with a lower threshold to add overall level consistency, sustain, or body to the audio layer.
The ratio is the amount by which the level will be reduced when your input signal exceeds the threshold. A high ratio understandably means more compression.
The ratio is expressed as a proportion of the input level to the output level. So a setting of means that a signal that is two decibels over the threshold will be reduced by one decibel, and a signal that is eight decibels over will be reduced by four. Makeup is a handy gain control that lets you bring up the overall level of the compressed signal.
Ideally, the makeup gain should match the gain reduction so that when the effect is bypassed the maximum signal level stays the same. The compressed signal will sound louder but should be using the same amount of headroom. Next, Knee is how harsh or gentle the compressor acts on the input signal. In a broad sense, it changes how the compressor reacts as the signal approaches the threshold. Generally, this is quite hard to hear. Really it has a subtle effect on the overall character of the compression.
So play with this and trust your ears. Whatever sounds good for your track is the best setting. Attack is an essential parameter to get in and play with, as it controls the length of time before the compressor acts and reduces the level of the input signal.
If we squash the transients with the rest of the sound, we lose punch and impact. Likewise, Release is the amount of time it takes for the compressor to ease off and stop working each time it hits.
To save you the trouble, you can use the Auto release mode, which is a reliable way of ensuring that compression is being safely applied. And then of course there are the Mode buttons up top, which change how Compressor processes incoming audio by emulating different classic hardware units.
Did you know that the team at Apple spent some serious energy on giving you a great range of compressors in one package with Logic Pro X? Not only that, but these different compressors each have a unique real-world counterpart that has been painstakingly recreated.
Named after an earlier release of Logic Logic Platinum , circa ! Producers tend to use Platinum Digital when they need to make some technical adjustments to the way the level, the attack, or the release of a sound behave. Tip: Studio VCA comes into its own on an instrument or vocal layer when you push the Threshold down and choose one of the Distortion options.
Have a play, and enjoy the warm flavor of this compressor. Based on its real-world counterpart, the UREI the Studio FET Field-effect Transistor compressor is designed to give you a responsive and punchy attack, as well as providing a bit of nice color to the overall sound. Tip: Give your lead part a solid attack to help find its place in the mix. The attack will poke through your mix and allow you to nestle the layer deeper in with the rest of the instruments, just biting through every time the compressor is initially activated.
The simplest of them all, the Classic VCA is modeled on the sound and controls of the real-world dbx Notice there are no attack and release controls here.
The simplicity will help you make quick decisions, as you set the threshold and ratio to find the sweet spot. Side Note: The boffins over at Universal Audio have also released an emulation of the dbx You may want to compare it with the stock Logic Pro X plugin. Once again, they are designed with real-world counterparts in mind. If you want to get a very smooth compression effect, while still coloring the sound with warmth and richness, Vintage Opto is the way to go.
Try Vintage Opto when you want to let mid and low frequencies sing through, while higher frequencies are more finely attenuated.
Fun Fact: Optical compressors literally react to a light flashing in response to the audio signal coming in. They have a bit of a sluggish response once all the conversions are factored in, resulting in their distinctly smooth vintage tone.
The bad news is that a compressor will almost never fix a weak sound. Compression is intended to either bring out the best in your sounds, eliminate inconsistencies, or provide a tool for experimentation.
The good news is that Logic Pro X comes with a very solid and convincing range of compressors with a wide variety of uses. As always, have a play around, trust your ears, and enjoy your music making! This is so amazing!.. I wish I could write these notes down on each compressors so I can pick the right one for each use case! Your email address will not be published.
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However, if the Attack time is set to less than 10ms, then the Compressor turns down the amplitude mid-cycle and, therefore, changes the waveform. That means, it create new harmonics, which is another word for distortion.
This is something to avoid, unless you want to create an effect, i. But now you would use the Compressor as an effects processor to change the sound of a signal and not only the volume and the dynamic. One cool feature of Logic’s Compressor is the various “Skins.
By selecting one of those seven buttons, the look of the plugin changes to indicate that the Compressor Plugin is emulating a specific vintage Hardware Compressor. I mentioned earlier that Compressors are not rocket science, but here, it gets a little bit deeper and requires some understanding of electronic circuitry VCA, FET, Opto and how that effects the “sound” or operation of a Compressor.
Remember, “with great power comes great responsibility”. Read up a little about that topic and use your time, experiment on how the same parameters have a different effect on different signals when using those FET, VCA, or Opto based Compressors. Time much better spent, than stepping through Compressor Presets I think.
I am reluctant to label any aspect or tool used in audio production as inherently good or bad. I have seen users creatively use relatively poorly developed tools and others hopelessly lost with the best plug-ins and hardware money can buy.
I think the value of Compressor presets ultimately comes down to the user’s experience and knowledge and their willingness to invest some time learning the parameters’ functions. For inexperienced users, the Presets Logic offers can be a trap. They believe they are using compression effectively by applying the appropriately named preset without adjusting any of the parameters to their mix elements.
At the absolute least, the threshold must be adjusted to work effectively with the incoming signal level.
I have seen projects with Compressors in place with no threshold at the default 0. In addition to not even triggering the Compressor at all, I have witnessed settings with the default 1. If you are a novice user, the presets are of no use until you understand the basics of the underlying parameters involved.
Once you know the basics, the presets can be a great start, pointing you in the right direction. Calling up a supposedly suitable preset can give you an idea of attack and release settings and which modelling to use. Of course, you have to experiment. The attack, release, and model might be way off for what your material needs. Then again, it might work wonderfully once you set the threshold and ratio to reflect your signal levels.
On more than one occasion, I have pulled up one of the vocal or drum presets and been surprised at the immediate results. It’s not that they were necessarily good; it’s more that they were not what I would have thought of as a starting point based on their intended use. Sometimes they are interesting to explore. Sometimes not. People like variety. Some like the one knob approach. I have a vintage outboard Orban A with a specific sound I love.
I never did figure out the exact relationship of the controls, but it always does something cool. And if you can’t make good sounding tracks with just what Logic X gives you, especially after Last edited by Fernand; 27th May at AM..
I have the softube drawmer , summit audio eq and comp, and fet compressor and trident eq for different sonic flavors. The logic pro x compressor and linear phase eq I dont use the channel eq for some reason in V Last edited by billnineo; 3rd July at PM..
Reason: added pro x. Without wishing to be condescending to the thread. You can demo pretty much all 3rd party options and you might be surprised by the results My particular advice would look beyond the GUI and the marketing. Love the Logic Compressor. Great sound, excellent side chain features, optional saturation.
You can use vintage and modern synthesizers , samplers , studio horns and strings , organs , drum machines , and acoustic drums. Here are a few of the most outstanding in our opinion. It is a beautiful place to experiment with sound and find your perfect sound. The DAW market is now more developed than ever.
A ton of software is available that will allow you to achieve professional results, both in your home studio and on a more commercial level. But should you give your preference to Logic Pro? Over the years, Apple has done an incredible job providing its users with fantastic professional music software. We advise you to weigh all the pros and cons that might be crucial for you.
Does your budget allow you to purchase this software? Do you have a Mac that is not very old? If yes, then you can safely try this software for yourself. If you already have experience in DAW, learning Logic will be elementary for you. There are plenty of DAWs out there that are cheaper. Are Tube Amps Worth It? Tube vs Solid-State Amps. How often guitar necks need reset? Yes, But Is It Safe? Does a Preamp Improve Sound Quality? Do headphones get worse with age? Does Heat Damage Headphones?
Can Headphones Break in Cold Weather? Can Headphones or Earphones cause Deafness or Toothache? Open a new audio track and turn your monitor or headphone output right down. Go to the Channel Strip of that channel, add the Test Oscillator plug-in, and open its editing window.
Set the waveform to Sine Wave, bring the output up to a comfortable level and adjust the frequency to something more palatable I set mine to Hz. These settings will give you around 20dB of compression. Screen 3: At extreme attack and release settings, different compressor models will generate significantly different harmonics. This can easily be demonstrated with a simple test tone.
Now comes the interesting bit. You can now step through the compressor models and see and hear how different models generate different harmonic content with these settings see Screen 3. The Vintage VCA model gives a particularly striking spectrum.
Now go to the Studio FET model and increase the release parameter and notice how the extra harmonics generated by the Compressor start to decrease; you will see the same thing if you raise the attack parameter. You should be aware that certain models, given very low attack and release times, will introduce extra harmonic content and have a tendency to distort, brighten or thin out your source material, depending on your interpretation.
You can hear these differences in Audio Example 5. Bypass the Test Oscillator and Compressor plug-ins and record or add a vocal. Play your vocal track to familiarise yourself with its timbre without compression I have used Audio Example 6.